![]() ![]() The 1976 Midway followed several made-up characters, while pretty much everyone we get to know in the Emmerich version is a real historical figure. Movie Reviews Wartime Terror And Valor Thread Together In Nolan's Gripping 'Dunkirk' Working from a screenplay Wes Tooke, Midway gives us the naval war in the Pacific on fast-forward, covering the Japanese attack on Pearl Harbor, Jimmy Doolittle's reprisal raid on Tokyo four-and-a-half months later, and finally, the Battle of Midway, all in just a little over two dateline-title-card-punctuated hours. And Midway is a long way from the dumbest film he's ever made, which is an equally long way from saying it's good. (Maybe that's why he was forced to shoot a lot of this movie in Montreal.) There's a certain brute efficiency to Emmerich's filmmaking that makes his stuff seductively watchable no matter how dumb it is. ![]() The German disaster artist who brought you Independence Day has destroyed the White House on film not once, not twice, but three times. If there's one filmmaker who has proudly carried on the tradition of cornball spectacles full of rising nobodies and fading stars - movies like the 1976 Midway, directed by World War II veteran Jack Smight and starring World War II veterans Charlton Heston, Henry Fonda, Glenn Ford, and Cliff Robertson - it's Emmerich. But he's enough of a student of film history to have hired a lookalike actor to play John Ford, and to make him shout "Shoot the damn picture!" at his cameraman as explosions shake the earth beneath them, in his all-new, somewhat-different Midway.
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